|Irfan Khan as Paan Singh Tomar.|
The first half deals with Paan Singh’s time in the Indian army and his rise to fame as a medal winning steeple chase runner. Although Paan Singh is encouraged to become an athlete, his participation in many of the races points to a disinterest from the Indian government in supporting athletics as a worthwhile cause. The second half offers a radically different narrative with Paan Singh involved in a dispute over land, leading to violent conflict within the family. At first Paan Singh attempts to resolve the conflict by involving the local police but he is confronted with incompetence and corruption, ridiculing his status as a national hero. When his family is attacked, Paan Singh retaliates by attacking the despotic thugs who control the land and crops. It is not long before Paan Singh becomes an outlaw, forced to go on the run with his group of bandits. Dhulia’s experience of working on Bandit Queen is quite telling in these sequences and arguably the narrative develops into a full blown modern tragedy. What really holds all of this together is the towering performance by Irfan Khan who delivers a moving study of Paan Singh. Interestingly, Dhulia also worked as a casting director on Asif Kapadia's The Warrior, which also starred Irfan Khan, and he also employs the rural outlands of India, in this case the Chambal Valley, as a perfect aesthetic backdrop for the eventual marginalisation of Paan Singh and his bandits. This is close to perfect as grown up mainstream Indian cinema and is certainly one of the more memorable Indian films of the year.